Agnieszka Polska
Braudel Clock - Grapefruit Diamond, 2022
Chromalux print on aluminum, UV print onarcylicglass, rotating aluminum and steel clock mechansism, 70 x 70 x 17 cm
The Thousand-Year Plan, 2021
2-channel HD-video and sound installation, exhibition view Museum of Modern Art, Warsaw, 2021
The Thousand-Year Plan, 2021
2-channel HD-video and sound installation, exhibition view Museum of Modern Art, Warsaw, 2021
The New Sun (Joy), 2019
ink print on archival paper, mounted on PVC board, 70 x 70 cm, Ed. 5 + 1AP
Ask the Siren, 2017, HD video, exhibition view 14th Baltic Triennale, Center of Contemporary Arts, Vilnius
Agnieszka Polska (*(born 1985 in Lublin, Poland, lives and works in Berlin) is most well known for her analytical, hypnotic, and multi-layered video installations. At the core of her practice lies the consideration of the individual within the collective. Indeed, often reflecting on her own position as an artist and the function of the artist within society, Polska excavates the ethical ambiguities that the individual faces as situated in, yet producer of, the shared reality that we experience together. Her works expose the deep metaphysical oscillations between universality and being, as well as the mechanics behind such movements - image, technology, language, poetry, imagination, and perception.
Her works have been presented in various exhibitions and screenings: 24th Biennale of Sydney, Sydney (2024); 14th Shanghai Biennale, Shanghai (2024); MUDAM Luxembourg, Luxemburg (2023); Kunsthalle Bratislava, Bratislava (2023); Galleria Nazionale d'Arte Moderna, Rome (2023); Belvedere 21, Vienna (2022); Baltic Triennial 14, Vilnius (2021); Contemporary Art Centre, Vilnius (2021); Tokyo Photographic Art Museum, Tokyo (2019); 6th Athens Biennale, Athens (2018); 57th Biennale di Venezia; Venice (2017); New Museum, New York (2016); National Art Gallery, Prague (2016); MoMA, New York (2015); Tate Modern, London (2012) among others.
Her work is in private and institutional collections such as the Museum of Modern Art, Warsaw; the EVN Collection, Vienna; the Art Collection Telekom, Bonn; the MUDAM, Luxemburg; the Galeria Arsenal, Bialystok; the ING Polish Art Foundation, Warsaw; the EMΣT, National Museum of Contemporary Art, Athens.
In 2017 she was the winner of the Preis der Nationalgalerie Berlin.