Attempt at Rapprochement --
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Katrina Daschner, Pomp (Queer cinéma nouvelle ésotérique: move 1-3), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Katrina Daschner, Pomp (Solidarity Legs: scene 1), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Katrina Daschner, Pomp (Feminist legs: scene 2), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Nadim Vardag, Untitled, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Mercedes Mangrané, Ascensor (Lift), 2019, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Mercedes Mangrané, Constellation (emancipation series), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Mercedes Mangrané, Emancipated Stair I (emancipation series), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Mercedes Mangrané, Humidity III, 2019, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Attempt at Rapprochement, Ausstellungsansicht, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Agnieszka Polska, Pangea, 2019, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Agnieszka Polska, Bird with Flower, 2018, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Agnieszka Polska, Birds, 2018, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Anna Holtz, Untitled (P), 2017, exhibition view, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Anna Holtz, Untitled (BG), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Herbert Hinteregger, Garish Point, 2014, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Herbert Hinteregger, Rhein-Sylt (Untitled), Sylt (Untitled), Bichlach (Untitled), Inn (Untitled), 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, Move n.1, 2019, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, Move n.1 (detail), 2019, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, COISA EM SI (The Thing Itself), 1990/2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, COISA EM SI II (The Thing Itself II), 2001/2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, COISA EM SI III (The Thing Itself III), 2001/2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Lenora de Barros, Poema (Poem), 1979/2014, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Julian Tromp, To the Palace, Stage, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
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Julian Tromp, To the Palace, Stage, 2020, courtesy Georg Kargl Fine Arts, © Georg Kargl Fine Arts, Foto kunst-dokumentation.com
Attempt at Rapprochement
20/06/2020 - 29/08/2020
Lenora de Barros, Katrina Daschner, Antoine Donzeaud, Herbert Hinteregger, Anna Holtz, Mercedes Mangrané, Agnieszka Polska, Rosa Rendl, Liddy Scheffknecht, Julian Tromp, Nadim Vardag
SMS from the future circa 2045
I offer you this mea culpa. @this pang this moment this sensation this thought is all that I have. It is precocious and incomparable. My convictions are many-excuse my timeless form. The Kevlar™ blanket makes me invisible and the performance shimmers.
This being is the mirror of my soul. #And so I ask you for this postulation on external realities. The antechamber of our art ‘tis well and fine. Its mood and reverie are palpable. Whence came the disillusion came the scorn of ideas and disdain of icons. And so we reinvent the causalities of art with another representation. Dissimilar prosthetics are the carriages of its rules and precepts. No more do we spill the wine. We pick the flowers of the forsaken ones and prize their repose.
Rejoice. The burden hath delivered us. Hubris seems remote from the abstractions and synthesis of a charged atmosphere. Of portentous events it is certain that it touches the ether. The body speaks its fluted language the blossoms shelter us. Contingency begets contingency. The hierarchy switched poles, a new mapping system is born. We are strengthened by the audacity of precedent to replenish the fields of an astonishing landscape.
Thus these symbols# these punctuations° and characters owe their neural ping to the distinct presence of a lucid sensation. Forged from the cauldron of tellurian upheaval the oratory is rich in opulent colors. The strange vapour has evaporated. Lead turns to gold.
Max Henry
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